Novels set in
ancient Harappa

Watercolour illustration of a spreading banyan tree with hanging aerial roots

Buried beneath the dry plains of the Indus (or Sindhu) River in Pakistan are the remains of cities, roads, forests, fields of grain, even lost rivers.

More than 4000 years ago, the Indus valley civilization thrived in what is today Pakistan and India. Children played, merchants bought and sold, craftspeople created items both useful and beautiful, boatmen plied the rivers, farmers tilled the fields, people behaved and misbehaved, experienced sorrow and happiness, wondered about right and wrong. Indus Valley ships travelled across the Arabian Sea to trade with Mesopotamia, another great civilization of the time, often using the islands of Dilmun (modern Bahrain) in the Persian Gulf as a distribution centre.

Archaeologists have excavated parts of some of these ancient cities such as Harappa and Mohenjo-Daro, with their wide, regularly laid-out streets, efficient water and sewage systems, houses with cooking hearths, bathing and toilet facilities and courtyards. Ancient fruit and vegetable seeds, samples of writing not yet deciphered, pottery, decorative ceramic and stone beads, clay figurines and seals depicting animals and people, give clues about the people who lived here. But clues are all we have, for their religion and politics, their fairs and celebrations, their daily lives, clothing, bedding, carts, ships, boats and furniture, have disappeared with hardly a trace.

But imagination thrives on clues.

The Novels

Cover of The House of Manas Moru

The House of Manas Moru

Lochan is only a servant boy, but Manas Moru depends on him to sort and gather herbs, care for his son Sundar, and cater to his wife Dalia. Then Manas dies, and Dalia sends her child away. Years later, Lochan still feels responsible for the family, and sets out to the distant city of Sindhapur to confront Manas’ killer, and retrieve Manas’ stolen ruby. He and his companions, a shepherd, a weaver, a merchant’s daughter, each have secret expectations of what will happen in Sindhapur.

Cover of The Belt of Lapis Lazuli

The Belt of Lapis Lazuli

When a precious family heirloom disappears, two young people search for the thief. Simi and Raju follow the Sindhu to the sea, threatened by floods, kidnappers and river pirates, and torn by suspicions against family and friends. They are aided by a cowherd, a holy man, a robber band, and perhaps a tiger.

Cover of The Kumari of the Waterfall

The Kumari of the Waterfall

Chandu of Sindhapur spends most of his time at an ashram in the forest. He serves Baba-ji, a holy man supported by Chandu’s family. A prince and princess arrive, fleeing from their dead father’s advisor who plans to seize their throne. They travel with Chandu and Baba-ji’s wife to speak with the Kumari, who warns them they will have to pay a price if their wishes are granted. Chandu learns how high the price is as he is drawn into the siblings’ struggle for their throne.

Cover of The Tiger Amulet

The Tiger Amulet

Arun’s older brother Dharm tells a lie to protect the leader of the ashram where he is studying, and is expelled, willingly accepting punishment. Arun leaves with him, having promised his father to keep a practical eye on his high-minded brother. They are befriended by Mohinder, a wanderer who is distrusted by city officials and respected by river and forest folk. Mohinder’s sister, a priestess of the tiger shrine, asks Arun and Dharm to help in the rescue of the priestess’s daughter from a neighbouring king. Dharm begins to learn that following rules is not always the best path.

Cover of Tales of the Blue Door

Tales of the Blue Door

Parini is a servant girl, a thief, a schemer, a mother, an herbalist, a matchmaker, a healer. But whatever role she plays, she leaves happiness and wisdom in her wake.

Judith Bali

Judith Bali writes stories set in ancient India.
She lives in Guelph, Canada.

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